Tuesday, May 24, 2016

Premiere Pro CS4 ( Full )

Premiere Pro CS4

Tell your story with maximum impact using Premiere Pro CS4
software, the start-to-finish solution for production that
includes OnLoion CS4 and Encore CS4 software. Save time with a
tapeless workflow, project lice with new XMP metadata support,
dozens of editing enhancements, and tight integration with other
software. Rch a wide audience by delivering your content to virtually
any screen.

Capture, edit, and deliver online, on air, on disc, or on device

Efficient tools for crtive editing
high-quality visual and editorial effects directly within the editing
timeline. Edit faster with powerful editing tools that give you precise
control and rl-time feedback. Add color correction and other
effects, audio filters, and more.

Comprehensive format compatibility
with virtually any format thanks to native editing support for
DV, HDV, XDCAM, XDCAM EX, Panasonic P2, and AVCHD. Add
uncompressed SD and HD acquisition with hardware cards from third-party

, Blu-ray Disc, and interactive SWF output with included Encore CS4
Author once and deliver to three formats: Crte s, high-definition
Blu-ray discs with pop-up menus, and interactive web versions of your
content with Encore CS4 software, included with Premiere Pro

Dynamic workflow with other tools
Achieve a
high level of productivity from production to delivery with the
tightly integrated toolset in Premiere Pro CS4. Eliminate
intermediate rendering when moving sequences into Encore CS4, and take
advantage of new support for files with and blend

Direct-to- recording and on-set monitoring with included OnLoion CS4
Record directly to and maximize camera quality using
software-based waveform and vectorscope tools to quickly calibrate your
camera, check levels, and monitor your signal. Organize shots using
metadata logged during the shoot.

End-to-end metadata workflow
sily add metadata
to clips both on set with OnLoion and while editing using
Premiere Pro, for grter project lice. Use speech
recognition technology to crte text-based metadata that helps you
organize and find your assets more efficiently during editing. Finally,
pass the metadata through export for publishing to the web, enabling
srchable and helping to unlock new revenue strms.

Speech Srch
Turn spoken dialogue into
text-based, time-accurate, srchable metadata. Jump to a specific
ar of a shot by srching for words within the dialogue, and then
use words to quickly loe and display what you're looking for--or
even cut based on the script.

Delivery to the web and mobile devices
in a variety of formats for viewing on air and on , online and
offline with Flash Player and Media Player software, and
on mobile devices with Flash Lite software.

Accelerated client review and approval with Clip Notes
Expedite review cycles and avoid miscommuniion by using Clip
Notes. Embed into a PDF file. Then e-mail the file to clients to
add time-specific comments that map to the Premiere Pro

Resource Central
Access product-related news and tutorials online by using the Resource Central panel in Premiere Pro and Encore.

Top ftures of Premiere Pro CS4:

Premiere Pro CS4 ftures enhancements, such as support for the
latest tapeless cameras, advanced metadata management, batch encoding,
and tighter-than-ever integration, that save you time. In addition,
industry-lding Blu-ray Disc authoring and the ability to output to any
screen help you rch the widest audience. Listed here are the most
significant new ftures found in Premiere Pro CS4.

Next-eration tapeless camera support
directly to opens the door to exciting new workflows that
save time and maintain the highest quality throughout the entire
production process. Premiere Pro CS4 is designed to the
full power inherent in tapeless workflows. Direct-to- recording
eliminates the time-consuming capture-from-tape, media-ingest phase of

Premiere Pro offers comprehensive -format support, from
DV to HD and beyond. Full support for a variety of tapeless cameras and
media lets you work with them natively to achieve the fastest workflow
from capture to edit, retaining the pristine quality of your source
material by eliminating time-consuming transcoding or rewrapping.

You can import and natively edit content from Panasonic P2 cameras
in DVCPRO, DVCPROHD, and AVC-Intra formats, and across multiple P2
cards. Similarly, you can import and edit content from XDCAM EX
and XDCAM HD cameras directly, without rewrapping or transcoding. Access
the footage you want before you import it by viewing camera metadata
and organizing files in the Media Browser. You can also edit directly
from the P2 card via the camera or a card rder, the SxS card by way of
the camera or a card rder (XDCAM EX only), or use the Media Browser
to transfer content to hard for better performance.

Batch encoding
With the explosion of on
the Internet, there's been a massive shift in how people consume
entertainment. Whether you post dailies on a -protected website
for review and approval, produce episodic shows for viewing online or
on iPods, or distribute s by way of an enterprise-level
-on-demand service, being able to efficiently deliver your content
in a variety of formats is crucial. Media Enr, a separate
software appliion included with Premiere Pro CS4, saves you
time by automating the process of crting multiple end versions of
your source files and Premiere Pro sequences. Set up multiple
items for encoding, manage priorities, and control advanced settings
for ch item individually. Media Enr also en
compositions from After Effects software when it's installed as a
component of Crtive Suite 4 Production Premium. Use any
combination of sequences and clips as sources, and en to a wide
variety of formats, including FLV and F4V, Media, MPEG-2,
H.264, QuickTime, and more.

Optimized encoding for mobile devices
track of -enabled cell phone and mobile device capabilities is no
small task. Device Central puts the latest mobile device profiles at
your fingertips through a dynamically updated online device library.
Device Central lets you test and preview what your work will look like
on an extensive selection of devices under a variety of simulated
rl-life conditions. This lets you can make lit design
decisions without having to go through a time-consuming trial and error
process, and deliver engaging experiences to billions of mobile

Improved integration
Sharing media between
pre- and post-production software tools used to require you to render
your work in one appliion before importing it into another, which
was an inefficient and time-consuming process. If you needed to make
changes, you had to make them in the original appliion and re-render
the asset. Innovative Dynamic Link, previously available only in
Crtive Suite Production Premium, strmlines this process.
Dynamic Link eliminates the need for intermediate rendering by crting
a direct link between new or existing assets in Premiere Pro CS4
and Encore CS4. Changes made in Premiere Pro such as color
corrections and so on are immediately reflected in Encore.

With new Premiere Pro integration in OnLoion, you can
send entire shotlists directly to Premiere Pro along with all
the metadata-based project licethat was logged during the

Other integration enhancements in Premiere Pro CS4 include:

Flexible layer options. Control exactly how
files look when imported into Premiere Pro. Preview all layers,
choose which layers to import, and then choose how to import them--as
individual layers, merged, or as a sequence.
Support for files with . Avoid the extra rendering
step from when importing PSD files that contain .
Simply import the files and use them just like any other clip in
the Timeline.
Support for blending modes. Match your favorite looks
from by applying blending modes to clips on the
Premiere Pro Timeline. Blending modes are available for all
clips, and are fully framble. When importing PSD files,
blending modes are automatically carried over into Premiere Pro.
Dynamic Link to Encore. Save time by sending sequences directly
from Premiere Pro CS4 to Encore CS4, where they open
immediately without rendering. From within Encore, open Premiere
Pro sequences, and then use the Edit Original command to make a quick
change to the sequence. Any changes you make in Premiere Pro are
automatically reflected in Encore. Encore also rds chapter markers
from the sequence, making it sy to set chapter markers in the
Premiere Pro Timeline.
Copy and paste text between appliions. Achieve the same
look for text in multiple deliverable formats. Exchange text by copying
and pasting it between other Crtive Suite 4 software and the
Premiere Pro titler. The text retains all supported formatting,
including font, spacing, and styles.

For the utmost Crtive Suite integration - including expanded
Dynamic Link functionality - turn to Crtive Suite 4 Production
Premium, which combines After Effects CS4, CS4
Extended, Illustrator CS4, and Flash CS4 Professional

Enhanced editing efficiency
Work faster with
powerful and flexible editing enhancements. Premiere Pro CS4
includes over 50 of the most requested editing enhancements that
strmline your workflow. Display srch results quickly. Apply effects
to multiple selections, get time information faster, speed up work
in the Timeline with new board shortcuts, and much more.

Powerful management of projects, sequences, and clips
content quickly and efficiently by typing what you're looking for into
the Srch box in the Effects, Project, or Metadata panel, and see
results update instantly as you type. Manage projects more efficiently
by saving file-loion preferences on a per-project basis, making it
sier to set up partitions for particular projects. Update assets in
your project quickly as newer versions become available by replacing
files in the Project panel; when replacing assets, all clip instances of
that media update automatically. Combine content from multiple
projects sily with the ability to import sequences from other
projects. Choose any combination of sequences to import; Premiere
Pro includes all nested sequences, helping to ensure that all content
is imported successfully.

Pick up projects where you left them, without having to adjust the
user interface--the workspace configuration is saved with ch project,
making it sy to work efficiently. You can now select any combination
of sequences for trimming, to avoid trimming redundant content in the
Project Manager. Only the portions of the offline clips used in a
sequence are included in the trimmed project, so when you subsequently
recapture the offline clips, only the portions used are recaptured. Mix
content even more freely in your project with different editing and
rendering settings for ch sequence in your project; manage your
assets sily by collecting all sequences into a single project; and
output multiple versions from HD masters quickly using nested sequences
with different settings.

Crte workspace configurations using Project-panel column
configurations optimized for the task at hand. For example, set up
different columns for logging and for editing.

Premiere Pro CS4 lets you delete individual preview files,
making it sy to reclaim space. Keep the preview files you need,
and discard the ones you don't.

Superior editing control
Use Track Sync Lock
controls to select which tracks remain in sync after ripple and insert
edits. Display source content of clips, route channels to specific
destination tracks in the Timeline, and toggle or audio channels
on or off as needed with source-content controls. Place clips exactly
where you want them when dragging to the Timeline. Innovative ways to
target audio and tracks provide multiple methods to control clip
placement, saving you time and preserving the placement of other clips
in the Timeline. Drag and drop - or audio-only portions of clips
onto any combination of compatible destination tracks.

Timesaving editing enhancements
When you paste
multiple clips into the Timeline, the playhd jumps to the end of the
pasted clip so that subsequent clips are placed directly after, saving
you time. Crte new subclips quickly and sily by simply dragging
content directly from the Timeline to the Project panel. Place
frames precisely within the Effect Controls panel. As you move them,
frames snap to sequence markers, the playhd, clip edges, or other
or audio frames. This makes it simple to align new frames
with existing ones. Use vertical snapping to keep clips in sync when
moving them between tracks. sily apply the same transition to multiple
items in your project by copying and pasting the transition.
Premiere Pro CS4 applies all transition information, while maintaining
destination attributes such as transition duration.

Use smart zoom ftures in the Timeline to switch quickly between
detailed and global views of your content. Simply press a to zoom
the Timeline to show the entire contents of your sequence, and then
press another to return to the previous zoom level.

Quickly clr all effects from one or multiple selected clips using a single command.

More options with multiple selections
commonly used combinations of effects and save them in a single preset
for sy reuse. The ability to apply effects to multiple clips in a
single action helps you work more efficiently. Make speed/duration
adjustments to multiple clips simultaneously, saving significant time
when working with large s of clips. You can work more productively
when using transitions by applying the default transition to multiple
selected clips with a single command. Apply audio-gain settings to
multiple selected clips in a single action, without having to rept for
ch item.

Precise audio control
Finding specific sonic
events in your audio tracks--for example, the start of a sentence, a
car door slamming, or the downbt in your soundtrack--is often a
simple matter of looking for pks and valleys in their waveforms. New
ftures in Premiere Pro CS4 let you view audio waveforms in more
detail in the Source Monitor. Zoom both channels independently or
together. Navigate with precision within the Source Monitor when working
with audio-only clips. Use the playhd to scrub the waveform
directly. Change batch capture behavior sily by setting and adjusting
audio-channel mapping for offline clips at any time, when or after
they are crted. You can also recapture offline clips as audio-only or
-only by changing recapture settings for offline clips, without
having to recapture them first.

Robust time display
Precise editing and
communiion with clients are facilitated by time. Whether you're
working with news footage gathered in the field, telecined
footage, or clips shot on a camcorder that supports time only by
way of an accessory pack, Premiere Pro CS4 offers you a variety
of ways to display time. The source-media time display format
acts as the default in both the Project panel and Source Monitor. If
there is no time or frame rate associated with the media--say if
it's a still graphic or was shot on a camera that doesn't record
time-- Premiere Pro will use the format specified in the
Project Settings dialog box. You can display SMPTE-style time or
frame-count time that you can set to start at frame 0 or 1.

Place items in the Timeline with time accuracy by dragging and
dropping them. See up-to-date time information in the Info panel as
you drag clips. Choose the appropriate time display mode
separately for ch sequence in your project. Use any supported
time format as the time display mode in the Timeline, Info
panel, and Time controls. View source-media information for clips
in the Timeline using the Info panel.

Enhanced board-driven workflow
mouse-based operation is a simple and sy way to lrn new software.
But experienced users want to navigate and control their tools as
quickly and efficiently as possible. Premiere Pro CS4 offers
complete, mouseless operation via customizable board shortcuts, to
help you focus on being crtive. Use board shortcuts to browse
through clips loaded in the Source Monitor tab and to save time when
moving to the start and end of clips in the Effect Controls panel. Jump
to the start and end of clips in the Timeline using dedied shortcuts
that make clip navigation sy. You can assign shortcuts to mark clips
more quickly and to cycle forward and backward through all the panels
in the Premiere Pro CS4 user interface.

Direct-to- recording with cross-platform, redesigned OnLoion CS4

OnLoion CS4 gives you an impressive array of production tools to
help you shoot better and faster while saving time and money. You can
produce superior-quality results from your camera. Quickly
calibrate the camera, monitor your footage, and check levels by
using your workstation or laptop as a virtual (and lightweight)
reference monitor. See what you can't see on a camera's small L
viewfinder or flip-out screen, and use the comprehensive software
waveform monitor and vectorscope as well as the audio spectrum analyzer
to identify and correct and audio problems before committing to
tape and hard .

Shooting and capturing directly to lets you record a
two-hour event as a single clip, or shoot as many takes of a scene as
your actors need to get it right--no changing tapes, no solid-state
memory time limits, no missed action. It's a director's drm come
true, but in the edit suite, finding that one perfect take among dozens
can be problematic. Metadatabased project lice and the new
Shot List panel let you take control of this situation.

ch time you re-record a scene to , a new take is automatically
crted that inherits the project lice from the master shot.
You can srch by words in the lice, or crte a
metadata-based text transcription of dialogue and use the text display
in the Metadata panel to click on words and jump to the spot in the clip
you're interested in. Additionally, you can flag your selects as you
capture them, making it a snap to find them in post-production.

OnLoion CS4 is available on and -based Mac
systems. (Previously, OnLoion was only for , and thus
required Boot Camp to run on a Mac.) Cross-platform operation allows
both Mac and users to take full advantage of the power of
OnLoion on laptops or workstations. The completely redesigned
interface puts control of all functions on a single screen and ftures
the familiar look and feel of other crtive appliions. Shot
lists and metadata-based project lice save time and take the
tedium out of logging on-set and in post-production.

Project lice with new XMP metadata support
is the unsung hero of an efficient workflow, and the to the
perennial challenge of making srchable. You have grt footage,
but do you know where it was shot, who the talent is, and if you have
the rights to use it? And more important, can you--and your
viewers--find the content that's most relevant? Premiere Pro
CS4, OnLoion CS4, and Encore CS4 deliver innovative,
industry-lding solutions that solve both problems.

Careful planning keeps your productions on schedule and on budget.
During preproduction, block your scenes, plan camera moves, and crte a
shot list to plot your shooting sequence and fill in metadata
associated with ch shot. Bring your careful planning on-set by
crting a shot list in OnLoion. While you're recording
footage directly to , OnLoion automatically captures
important metadata-based project lice associated with ch shot
coming from the camera. Crte new takes ch time you re-record, with
ch take inheriting metadata from the master shot. You can even edit
or add to the metadata while you're at the shoot.

During post-production, you can use metadata to strmline project
tracking, asset auditing, and many other formerly tedious manual tasks
in Premiere Pro CS4 and Encore CS4, as well as in
Soundbooth CS4, After Effects CS4, and Flash CS4 Professional
software. Best of all, as other workgroup members modify files and
assets, metadata-based project lice associated with ch media
asset can be edited and updated in rl time during the normal course
of production.

Save even more time by eliminating the need to hunt from folder to
folder to track down assets. Metadata makes your assets srchable
within the Premiere Pro CS4 Timeline, so you can loe assets
and clips by filename, date, time, camera setting such as resolution or
frame rate, shot loion, or any other srch term you've added to
your asset or clip.

Speech Srch makes dialogue in your assets srchable
you start your production with a script or assemble your narrative in
the editing suite, you can use powerful new Speech Srch technology in
Premiere Pro CS4 to turn spoken dialogue into text-based
metadata that makes your srchable. This new capability solves
one of the biggest challenges in taking online by automatically
turning any spoken word into a word that points precisely to the
places in a clip where the word is spoken. This unlshes considerable
power, for both post-production professionals and all of us who watch
online. During the editing process, crtive professionals can
use Speech Srch to quickly find the relevant points in a particular
clip, or sily loe the right clip based on what gets said in it.
Equally important, the time-accurate text that corresponds to spoken
words is embedded in the output you render from Premiere Pro CS4,
so your is srchable by other tools that can rd XMP metadata,
such as srch and indexing engines.

In Premiere Pro, Speech Srch can significantly speed the
time-consuming process of wading through large quantities of footage to
find the relevant clips. For example, you can quickly find all of the
clips in a project that contain a particular word, or the opening lines
of a scene from the script you're shooting, by srching from the
Project panel. Once you've narrowed your srch, you can srch within a
particular clip for a word or phrase by using the Source Monitor, or
you can skim the preliminary transcript that apprs in the Metadata
panel. Both approaches are significantly faster than manually scrubbing
through a clip to find, for example, the spot in a long interview
where the subject talks about a transformative trip to Zambia.
Additionally, you can tab from word to word in the Metadata panel to
make edits while ensuring that text remains synchronized to the spoken

Industry-lding Blu-ray Disc output

Encore CS4 software is a versatile, interactive authoring tool for
distribution that allows you to deliver your high-definition work
complete with advanced functions such as pop-up menus, subtitles, and
more to clients or consumers on standard-definition s and
high-definition Blu-ray Discs. Save time during the authoring workflow
by sending sequences directly from Premiere Pro CS4 to
Encore CS4, where they open immediately without intermediate rendering,
using Dynamic Link. From within Encore, open Premiere Pro
sequences and then use the Edit Original command to make a change to the
sequence. Any changes you make in Premiere Pro are automatically
reflected in Encore. Plus, Encore rds chapter markers in the

Further strmline your authoring workflow by using the enhanced
flowchart to define and view your project's points and links. New
independent variable-zoom functionality and the ability to see the
asset's name help strmline your disc- and SWF-file authoring workflow.
See exactly what your project is going to look like with the new
FireWire -out fture, and have ultimate control over your motion
menu loop points.

Web versions of your and Blu-ray Disc projects made sy with Encore CS4
compelling stories and use Encore CS4 software to deliver them
on standard-definition or high-definition Blu-ray Disc, and with a
single click crte SWF-file versions of those and Blu-ray Disc
projects for the web, without opening another appliion. Added
flexibility and HTML templates in Encore CS4 let you crte content
compatible with Flash Player, complete with interactivity,
menus, and URL links. Export different sizes for SWF-file
strming or progressive download, customize player skins, and reduce
encoding time by using optimized en settings in Media Enr.
Leverage Flash Media Server to build new revenue sources based
on a secure-strming, protected-download, or subscription-based
delivery model--or all three--using metadata to track rights and

System requirements:

2GHz or faster processor for DV; 3.4GHz for HDV; dual 2.8GHz for HD*
® ® XP with Service Pack 2 (Service Pack 3
recommended) or Vista® Home Premium, Business, Ultimate, or
Enterprise with Service Pack 1 (certified for 32-bit XP and
32-bit and 64-bit Vista)
2GB of RAM
10GB of available hard- space for installation; additional free
space required during installation (cannot install on flash-based
storage devices)
1,280x900 display with OpenGL 2.0®compatible graphics card
Dedied 7200 RPM hard drive for DV and HDV editing; striped
array storage (RAID 0) for HD; SCSI subsystem preferred
For SD/HD workflows, an -certified card for capture and export to tape
OHCI-compatible IEEE 1394 port for DV and HDV capture, export to tape, and transmit to DV device
-ROM drive (+-R required for crtion)
Blu-ray required for Blu-ray disc crtion
Driver Model® or ASIO-compatible sound card
QuickTime 7.4.5 software required to use QuickTime ftures

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